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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20100514T160000Z
DTEND;VALUE=DATE-TIME:20110101T230000Z
UID:http://uanews.org/node/32065
URL;VALUE=URI:http://uanews.org/node/32065
LOCATION:Arizona History Museum\, 949 E. Second Street
SUMMARY:\"It Saved My Life - Civilian Conservation Corps\: Grand Canyon and Southern Arizona\, 1933-1942\" Exhibit
DESCRIPTION:   Museum hours are Monday through Saturday\, 10 a.m.-4 p.m. Admission is $5 for adults and $4 for those ages 12-18 or 60 and older. Arizona Historical Society members and children ages 11 and younger are free. Admission on the first Saturday of the month is free.  Free parking is available in the garage at the northeast corner of East Second Street  and North Euclid Avenue. Use the East Second Street entrance.  This program is made possible by the Arizona Humanities Council.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20100827T150000Z
DTEND;VALUE=DATE-TIME:20101112T000000Z
UID:http://uanews.org/node/33273
URL;VALUE=URI:http://uanews.org/node/33273
LOCATION:Joseph Gross Gallery
SUMMARY:Gregory Euclide\: \"Real\, Natural\, and Unsustainable\" Exhibit
DESCRIPTION:Gregory Euclide's work explores the manner in which we experience nature and how these encounters are tied to the cultural practice of fabricating landscapes as idealized constructs. His recent compositions are a series of sculptural \"captures\" made by pouring paint or liquid adherent over the natural environment. Euclide uses the complexity and interconnectedness of the environment as the content and conceptual framework for his art. In \"Real\, Natural\, and Unsustainable\,\" Euclide will explore the Tucson landscape\, building ethereal\, bucolic topographies to provide an explorable vignette of our local surroundings. His work is a manifestation of the tension between our desires to engage\, preserve and sustain the natural world and the demands our lifestyles place upon the environment.Euclide's work has been shown in exhibitions at the Minnesota Museum of American Art\, White Walls\, San Francisco\, and the Massachusetts Museum of Contemporary Art. He recently completed his installation\, \"Because There's There\, Here is Just Fine\" for the Biennial of the Americas held in Denver\, Colo. The gallery is open Monday through Friday and this exhibit is free to the public everyday. The Joseph Gross and Lionel Rombach Galleries are located on the University of Arizona campus between the Museum of Art and the Center for Creative Photography. Parking is available on Second Street\, east of Park Avenue\, or in the parking garage north of Speedway on Park Avenue. For further  questions please visit our website below.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20100909
DTEND;VALUE=DATE:20101220
UID:http://uanews.org/node/33322
URL;VALUE=URI:http://uanews.org/node/33322
LOCATION:Special Collections\, Main Library
SUMMARY:\"Stories & Music of the Revolution\: A Commemorative Exhibit on the Centennial of Mexico's Revolution\"
DESCRIPTION:Special Collections at the University Libraries announces its newest exhibit \"Stories & Music of the Revolution\: A Commemorative Exhibit on the Centennial of Mexico's Revolution.\" Through unofficial correspondence among citizens\, reminiscences written years after the incidents\, photographs\, broadsides\, sound recordings\, government circulars and wood-block engravings\, \"Stories & Music of the Revolution\" illustrates a sense of individual and collective experiences along the border from 1910-1920\, the turbulent years of the revolution.\"Stories & Music of the Revolution\" draws from Special Collections' expansive Borderlands materials to recreate the revolution as experienced from two perspectives\: those fighting for agrarian\, economic and other societal reforms and those seeking to stabilize the nation or remain in power. The materials on display were selected from a variety of collections including the papers of journalist\, playwright and women's rights advocate Sophie Treadwell\; George Hunt\, Arizona's first governor\; and the Arizona\, Southwest and Borderlands photograph collection. Sound recordings\, corrido lyrics and sheet music drawn from the University Libraries' fine arts holdings and personal collections complement the materials selected from Special Collections. Curated by librarians Verónica Reyes-Escudero and Bob Diaz\, \"Stories & Music of the Revolution\" commemorates the 200th anniversary of Mexico's independence and the 100th anniversary of the Mexican Revolution. A lecture series exploring the cultural\, political\, and economic legacy of the revolution will be held throughout the fall in conjunction with the exhibit. The exhibit and lecture series are sponsored by the Friends of the University Libraries and the Consulate of Mexico in Tucson. See Special Collections' hours schedule to plan your visit.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101004
DTEND;VALUE=DATE:20101128
UID:http://uanews.org/node/33643
URL;VALUE=URI:http://uanews.org/node/33643
LOCATION:Center for Creative Photography
SUMMARY:\"The Edge of Vision\" Reception and Curator's Lecture
DESCRIPTION:Opening reception and curator's lecture for \"The Edge of Vision\: Abstraction in Contemporary Photography.\" Lyle Rexer is an independent scholar\, curator and educator who writes for many publications\, including Parkett\, Tate\, DAMn and Photograph\, and is the author of \"The Edge of Vision\: The Rise of Abstraction in Photography.\" He teaches at the School of Visual Arts in New York City.
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DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101012
DTEND;VALUE=DATE:20101212
UID:http://uanews.org/node/34860
URL;VALUE=URI:http://uanews.org/node/34860
LOCATION:UA Museum of Art
SUMMARY:UA Museum of Art Exhibition\: \"PostSecret\: Confessions on Life\, Death and God\" 
DESCRIPTION:  The University of Arizona Museum of Art is pleased to present \"PostSecret\: Confessions on Life\, Death and God\,\" with more than 270 artfully crafted postcards that unearth a myriad of private thoughts concerning spirituality and religion.   The \"PostSecret\" phenomena began in November 2004\, when Frank Warren handed out 3\,000 postcards to strangers. He invited people to write down a secret anonymously and mail it to him. Each secret had to be true and something that had never been shared with another person. These initial secrets were exhibited later that year. After the first exhibition closed\, word of the project spread.  People began creating their own homemade postcards and the artful secrets started arriving from every continent. Today\, Warren has received more than 450\,000 postcards and they continue to come at a rate of about 1\,000 per week.  Why is \"PostSecret\" so appealing? It is because Warren has tapped into the universal stuff of being human\, the collective\, often unconscious level of existence that defies age\, culture\, gender\, economics and so on. \"Confessions\" brilliantly illustrates that human emotion can be unique and universal at the same time. The secrets are both provocative and profound\, and the cards themselves are works of art.  UAMA will also display a wall of \"Wildcat Confessions\" - Tucson viewers are invited to anonymously contribute their own thoughts to the UAMA exhibition.  Museum hours are Tuesday through Friday\, 9 a.m.-5 p.m. and Saturday and Sunday 12-4 p.m. The museum is closed on Mondays and University holidays.   
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20101018T150000Z
DTEND;VALUE=DATE-TIME:20101210T233000Z
UID:http://uanews.org/node/34906
URL;VALUE=URI:http://uanews.org/node/34906
LOCATION:Campus Christian Center\, 715 N. Park Ave.
SUMMARY:\"Nature\" Photographs by Les Longino 
DESCRIPTION:Les Longino has been working with digital photography for nine years\, starting with a simple point and shoot\, and now working with a DSLR camera. His nature photography focuses on formal elements in the image\, such as pattern\, texture and the quality of the light. Often\, the subjects of the images begin to separate into abstract compositions. The intent is not to document a certain natural setting for botanical or geological record-keeping\, but instead to bring out the elements the two-dimensional printed image are made of\: the color of an agave leaf\, the wavy pattern in a geological formation or the interaction of light and shadow across a landscape. This show displays photographs taken around Arizona\, Utah and other parts of the Southwest.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101021
DTEND;VALUE=DATE:20101119
UID:http://uanews.org/node/34511
URL;VALUE=URI:http://uanews.org/node/34511
LOCATION:Main Library
SUMMARY:One for the Ages\: A Homecoming Exhibition 
DESCRIPTION:Celebrate Homecoming with the University Libraries! Experience and relive the history of UA Homecoming through \"One for the Ages\: A Homecoming Exhibition.\" Since 1914 - when the first Homecoming was held - the UA has celebrated Wildcat pride\, honored alumni and cheered the football team to victory through this annual tradition. This exhibition brings Homecoming history to life by showcasing material from Special Collections\, including scrapbooks from the early 1900s\; memorabilia of Homecoming events\; photographs of football players\, band members and cheerleaders\; and original footage from 1950s Homecoming parades and football games. \"One for the Ages\" is curated by Special Collections and members of the UA Student Chapter of Society of American Archivists\, a UA student group dedicated ensuring the identification\, preservation and use of historical records continues into the future.To learn more about the University's 125th Silver & Sage Anniversary celebration at Homecoming visit http\://125.arizona.edu. 
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101105
DTEND;VALUE=DATE:20101130
UID:http://uanews.org/node/35207
URL;VALUE=URI:http://uanews.org/node/35207
LOCATION:Student Union Memorial Center
SUMMARY:Willi Wolfschmidt Exhibition 
DESCRIPTION:Abstraction\, fantasy-expressionism and surrealism\, mixed with an overtone of street art\, socially critical and politically charged. These are the works of Willi Wolfschmidt\, shown in the exhibition \"The Fantasy-Expressionism of Wolfschmidt.\" From Tucson\, Wolfschmidt is an accomplished artist and writer. His work can be seen locally in various public art murals. His work has been shown is Washington\, D.C.\, New York City\, Colorado and New Jersey and more. His art has been praised in Cambridge\, England's \"Men of Achievement\,\" Marquis' \"Who's Who in the World\" and by the International Biographical Centre with a Citation of Meritorious Achievement. Wolfschmidt's art has been shown the University of Arizona Student Union before\, in a one-man show circa 1967-69. Exhibiting his work on campus once again\, Wolfschmidt strives to conceive\, fabricate\, invent and create real-life representations of the imagined. The artist elicits an emotional response from the viewer through use of popping colors\, bold\, cartoon-like figures\, and scenes reminiscent of the art of Salvador Dali and Rene Magritte.The exhibit will open each day at 12 p.m. and close at 6 p.m. 
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101108
DTEND;VALUE=DATE:20101124
UID:http://uanews.org/node/35309
URL;VALUE=URI:http://uanews.org/node/35309
LOCATION:Graduate Gallery
SUMMARY:\"Collaborations\: PHOPRINTPAINCOM 3\" Exhibit
DESCRIPTION:This exhibition highlights the cross-disciplinary work created by two-person teams of graduate students currently enrolled in the interdisciplinary seminar course\, ART 696A. The works reflect the scholarly examination of course readings while employing individual artistic approaches in a collaborative environment.     Claire Benson and Dennis Sanders  Stephen Carcello and Daniel Cheek  Aimee León and Charles Coates  Karen Declouet and Neil Galloway  Michael Fadel and Zachary Fitchner  Cui Jing and Bobby Long  Mena Ganey and John StobbeThe exhibit will be held in the  Graduate Gallery\, which is located in the Visual Arts Graduate Research Lab on the northwest corner of Fremont Avenue and Mabel Street.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101112
DTEND;VALUE=DATE:20101114
UID:http://uanews.org/node/34956
URL;VALUE=URI:http://uanews.org/node/34956
LOCATION:UA Museum of Art
SUMMARY:Award-Winning Street Painter to Create Image in UAMA Gallery
DESCRIPTION:In conjunction with the University of Arizona Museum of Art's upcoming exhibition\, \"The Aesthetic Code\: Unraveling the Secrets of Art\,\" Melanie Stimmell\, renowned street painter\, will create an extreme perspective painting on the UAMA's main gallery floor.  Viewers can watch the painting develop over the three days of the performance.  The finished painting will remain as part of the exhibition.  Stimmell is internationally recognized\; she has worked in Turkey\, Holland\, Canada\, Italy\, Germany\, France and throughout the United States.  In Italy this summer Stimmell won the gold medal in the Maestro category at the Incontro Nazionale Madonnari in Grazie di Curtatone for her \"Madonna con Bambino.\"  Specializing in bringing old masters to life\, Stimmell will design a unique image for the UAMA exhibition.    Extreme perspective painting is famous for making sense to the viewer's eye from only one viewing point.  From the other angles the painting is almost unrecognizable.  Stimmell says of her work\, \"My street paintings are a performance in visual art\, using the asphalt as my canvas.  My imagery\, traditional in execution but whimsical in style\, is a powerful statement of ephemeral beauty.  Fading with the wind\, rain\, and footsteps\, the once vivid imagery is soon lost to the evolution of the surface.\"  At UAMA Stimmell will work on canvas on the gallery floor\, so the painting will not be lost to \"the wind\, rain\, and footsteps.\"  UAMA will have special weekend hours to accommodate Stimmell's performance.  The museum will be open all three days of the event from 9 a.m.-5 p.m.   Stimmell is a Signature Member of the Pastel Society of America\, and the co-founder of two prominent organizations in the chalk painting world\: the Street Painting Society and the Street Painting Academy.  She has been street painting since 1998 and is known for her traditional Madonnari style\, trompe l'oeil (fool the eye) and 3-D anamorphic work.  Don't miss this opportunity to see a masterpiece in the making.  It is an experience that you will never forget.  The event is free with museum admission.  It is a perfect time to become a UAMA member\, since the primary benefit of membership is free admission to UAMA. 
END:VEVENT
BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101115
DTEND;VALUE=DATE:20101119
UID:http://uanews.org/node/35199
URL;VALUE=URI:http://uanews.org/node/35199
LOCATION:Science and Engineering Library
SUMMARY:GIS Map Exhibit 
DESCRIPTION:This exhibit will focus on international resources that the University of Arizona libraries contain and will include a map of where the UA's international students are from.
END:VEVENT
BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101124
DTEND;VALUE=DATE:20110204
UID:http://uanews.org/node/35725
URL;VALUE=URI:http://uanews.org/node/35725
LOCATION:Joseph Gross Gallery 
SUMMARY:\"Double Vision\" Exhibit
DESCRIPTION:  The book\, taken as an artistic genre\, has a rich history. Two renowned internationally known book artists\, Julie Chen and Clifton Meador\, share a commitment to the genre and combine their interests in writing\, photography\, printmaking\, typography and design in the works exhibited for \"Double Vision.\"  Both artists have created art in book-form for more than 25 years. Their subject matter and approach differ\, but the dialogue that exists between their two visions shares a common narrative thread.    Meador and Chen make books that offer the reader a transformative experience utilizing various technologies\, binding methods and processes\, including offset printing\, letterpress\, digital\, laser and various book formats from traditional codex to interactive structures. The artists' works create a kind of immersive\, thoughtful experience that can only happen with an audience through the intimate sculptural object.    Meador is a writer\, photographer\, printmaker and designer. He combines these disciplines to make artist's books that explore how the narratives of culture\, history and place are the basis for identity. His works are held in the collections of Carnegie Mellon University\, Getty Research Institute and the Yale University Library\, Arts of the Book Collection. Meador is professor and director of the interdisciplinary Master of Fine Arts program in book and paper at Columbia College\, Chicago.    Chen is a groundbreaking innovator in the growing field of the artist's book. Her works defy traditional definitions of bookmaking\, combining original works of poetry and 3-D paper techniques to stunning effect. Chen has exhibited at the Center for Book Arts\, New York\, the National Museum of Women in the Arts and the San Francisco Center for the Book.  Chen established Flying Fish Press in 1987 and is a faculty member in the book art program at Mills College. 
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE:20101129
DTEND;VALUE=DATE:20101215
UID:http://uanews.org/node/35726
URL;VALUE=URI:http://uanews.org/node/35726
LOCATION:Graduate and Alumni Gallery 
SUMMARY:\"In Range of Light\" Exhibit
DESCRIPTION:The human experience can be mapped out from the past to the present through the objects we make and the marks we leave.  From early forms of tool making to highly advanced technology\, accumulations of knowledge are techniques of efficiency we regard as progress.  The speed and complexity of this system is often incomprehensible\, limiting the ability to engage with the present moment.  \"In Range of Light\" looks at actions rooted in science and survival\, which take on metaphoric symbols of life on Earth and what it means to be human.  Using sculpture combined with video\, this installation investigates the continually changing psychological relationship human beings have to their environment\, and the space we inhabit between earth and sky.
END:VEVENT
BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20101130T160000Z
DTEND;VALUE=DATE-TIME:20110104T000000Z
UID:http://uanews.org/node/35763
URL;VALUE=URI:http://uanews.org/node/35763
LOCATION:Arizona Health Sciences Library
SUMMARY:\"Everyday Miracles\: Medical Imagery in Ex-Votos\" Exhibit
DESCRIPTION:This National Library of Medicine traveling exhibit is presented in cooperation with the University of Arizona College of Medicine program in medical humanities.  A part of many cultural traditions around the world\, ex-votos are paintings expressing thanks for the intercession of the divine that illustrate our relationships with illness and healing. The exhibit includes a collection of ex-votos from Southern Arizona communities provided by Miguel Flores Jr. of Holistic Wellness Counseling & Consultant Services. 
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20101104T230000Z
DTEND;VALUE=DATE-TIME:20101105T003000Z
UID:http://uanews.org/node/33383
URL;VALUE=URI:http://uanews.org/node/33383
LOCATION:Joseph Gross Gallery 
SUMMARY:Gregory Euclide\: \"Real\, Natural\, and Unsustainable\" Closing Reception
DESCRIPTION:Gregory Euclide's work explores the manner in which we experience  nature and how these encounters are tied to the cultural practice of  fabricating landscapes as idealized constructs. His recent compositions  are a series of sculptural \"captures\" made by pouring paint or liquid  adherent over the natural environment. Euclide uses the complexity and  interconnectedness of the environment as the content and conceptual  framework for his art. In \"Real\, Natural\, and Unsustainable\,\" Euclide  will explore the Tucson landscape\, building ethereal\, bucolic  topographies to provide an explorable vignette of our local  surroundings. His work is a manifestation of the tension between our  desires to engage\, preserve and sustain the natural world and the  demands our lifestyles place upon the environment.Euclide's work has been shown in exhibitions at the Minnesota Museum of  American Art\, White Walls\, San Francisco\, and the Massachusetts Museum  of Contemporary Art. He recently completed his installation\, \"Because  There's There\, Here is Just Fine\" for the Biennial of the Americas held  in Denver\, Colo. The gallery is open Monday through Friday and  this exhibit is free to the public everyday. The Joseph Gross and  Lionel Rombach Galleries are located on the University of Arizona  campus between the Museum of Art and the Center for Creative  Photography. Parking is available on Second Street\, east of Park Avenue\,  or in the parking garage north of Speedway on Park Avenue. For further   questions please visit our website below.
END:VEVENT
BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20101117T010000Z
UID:http://uanews.org/node/35008
URL;VALUE=URI:http://uanews.org/node/35008
LOCATION:Arizona State Museum 
SUMMARY:\"Native Perspectives\" Photography Exhibit Opening Night
DESCRIPTION:The opening night of our monthlong photo exhibit will showcase the many different sides of Native American life. Photographers will elaborate on the angles of their work and what their experiences have taught them. This photo exhibit is a way to preview the stories that will appear in the next edition of \"Native Perspectives\,\" a print newspaper that circulates once every semester. After opening night\, this exhibit will be open to the public through November and into early December. Sponsored by UA Native American Journalists Association in partnership with the Arizona State Museum.
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BEGIN:VEVENT
DTSTAMP;VALUE=DATE:20120210T204651Z
DTSTART;VALUE=DATE-TIME:20101119T170000Z
DTEND;VALUE=DATE-TIME:20101120T000000Z
UID:http://uanews.org/node/34740
URL;VALUE=URI:http://uanews.org/node/34740
LOCATION:Arizona State Museum
SUMMARY:\"Many Mexicos\: Vistas de la Frontera\" Exhibit 
DESCRIPTION:This two-year exhibition interprets the broad sweep of the Mexican past from the perspective of the borderlands\, a vast\, contested space that was the outer rim of Mesoamerica in the pre-Columbian period and later evolved into the northern frontier of Spanish-Indian relations following the conquest of Mexico. 
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